Above: Founding member of The Chants, for whom the Beatles acted as backing band, Joe Ankrah is pictured at The Jacaranda. Photo: Ean Flanders, 2025
Toxteth: The Harlem of Europe is a celebration of black musicians from Toxteth in the 1950s and 1960s, with many of them influencing The Beatles and beyond.
Running from 11 October 2025 to 1 August 2026, the free exhibition features portraits by Liverpool photographer Ean Flanders. Alongside striking new images of musicians from that era, Flanders also captures portraits of their descendants.
Presented in partnership with local charity Mandela8, arts development organisation Northern Roots, and the VG&M, the exhibition draws on the knowledge and memories of community figures such as singer Ramon “Sugar” Deen and Carol Phillips - daughter of Harold “Lord Woodbine” Phillips, and elders who were active in the area during this era.
Above: Britain’s most successful Black group of all time, The Real Thing's Chris Amoo (originally from The Chants) and Dave Smith at The Brindley Theatre, Runcorn. Photo: Ean Flanders, 2025
Discover Toxteth’s Black musicians from across two decades, telling the story of a generation whose talent and innovation helped shape the sound of modern British music.
The exhibition will examine how out of the racial inequality of 1950s and 60s Liverpool emerged a rich, dynamic music scene centred on the vibrant nightlife of Toxteth in L8. Clubs such as the Whitehouse, the Palm Cove, and Dutch Eddies became hubs of creativity and musical excellence. Complementing Flanders' portraits will be a selection of archival images, bringing to life this time in L8’s history.
Legends from Liverpool’s music scene featured include Chris Amoo and Dave Smith from The Real Thing, Garry Christian from The Christians, Ramon “Sugar” Deen from The Harlems, Joe Ankrah and Alan Harding from The Chants, female harmony group Distinction, and reggae artist Ramon Judah, who continues to champion Liverpool 8’s rich musical tradition today.
My involvement in this project grew from hearing the many stories of the artists and musicians of that era, and the struggles and inequalities they endured. I feel it is vital that these pioneers are acknowledged, not only for the influence they had in Liverpool, but also for the impact they made far beyond the city.
Photographer Ean Flanders
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